you can do this with one hand tied behind your back

This is the second time I’ve done The 100 Day Project. Two times now, I’ve drawn every single day for 100 days straight.

Just take a minute to count to 100. I mean, seriously: 100 days in a row!

Am I glad I did it? Is it worth it? Should you do it? What did I get out of it? Any surprises? Short answers: yes, yes, yes, so much I can offer you only a partial list, and surprise at the end.

What I Got Out Of The 100 Day Project, a partial list:

Even a 5-minute sketch is better than no creative work that day. And, no matter how disappointing that sketch might be, I’m more primed to do satisfying work the next day than if I’d skipped a day and not sketched at all. Any creative work is better than no creative work.

I’m sorry to say, that malaise, disappointment, perfectionism, dread, and procrastination still hound me. However, I now know that this is a normal part of the creative process, and daily practice has taught me to abide these negative feelings. The bad feelings do not mean the work is bad. And, at least 50% of the time, after a few days of abiding malaise and creating anyway, I came out of it with new ideas, better ideas, renewed conviction and energy.

The only way to get motivated is to do the work. It’s annoying but true. The feelings of motivation and determination return only when I start to work. I know, cart before the horse and all that. Just go, start, do, and the feeling of motivation will come. Usually. If it doesn’t, well, give it five minutes and go about the rest of your day and come back tomorrow.

Even if I skip half of the days of the challenge, I’ll have 50 sketches I didn’t have before. But I probably won’t skip half the days because once I get started, I don’t want to quit. GETTING STARTED IS ALWAYS THE HARDEST PART! Way harder than sticking with it.

And so, so much more. But that’s what I’ve got to share for now. But, THE SURPRISE:

You can do this–no matter WHAT is going on in your life. I know. Trust me.

My 80-year-old mother broke her wrist (crushed it to pieces, really), moved in with us overnight, left everything familiar behind, and had to have surgery the day this challenge started. I sat in the surgeon’s waiting room, fretting about anesthesia and her recovery and wondering if I should bother doing the 100 day project this year. But, I pulled out my sketchbook and started anyway.

My mom with the wrist of her dominant hand broken, filled with screws and plates and stitches and surrounded in a heavy cast; my mom more tired than she could admit, probably in pain, and surely bewildered by the upheaval of her whole life; my mom, suddenly unable to shower, drive, cook, or style her hair, did the challenge.

She did the challenge!

She drew tiny pencil and ink sketches every day for 100 days with her non-dominant hand!

I watched her the very first day, and the fingers of her non-dominant hand cramped so fiercely that two of them stuck straight out. She kept inking in her drawing anyway. Those of us lucky enough to watch this process can tell you that 100 days later, she has two sketchbooks full of lovely, thoughtful drawings. Truly remarkable.

The take away: if you’re having a hard time with your daily practice, tie your dominant hand up in a sling and try doing your practice with the other hand.

Puts things in perspective. You can do this … with one hand tied behind  your back … because it matters, your vision matters, your voice matters, and creative work is your path to expression and helping bring light and love and joy and acceptance into this world.

Good luck, and thank you–as always–for reading my blog posts and following my creative efforts for Carrot Condo.

–TRISTA

 

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